Spanish Baroque Era Painter, ca.1611-1678 Spanish painter. He was the son of a minor painter of the same name (d 1622) and, after his father died, about 1627 he moved to Madrid with his mother. There he entered the studio of Pedro de las Cuevas, and his fellow pupils included such artists as Juan Carreeo de Miranda, Francisco Camilo, Jusepe Leonardo and Antonio Arias Fernendez. He must also have known and studied the work of many masters esteemed at court, particularly Vicente Carducho, echoes of whose work can be found in the former's early paintings. Pereda received protection early on from a member of the Royal Council, Francisco de Tejada, and later from Giovanni Battista Crescenzi, a painter and patron who was in Spain from 1617. Pereda probably completed his training through contact with Crescenzi's collection and eventually he lived in Crescenzi's house. In 1634 Pereda executed Aid to Genoa (Madrid, Prado) for the decoration of the Salen de Reinos in the Casen Buen Retiro, Madrid, a project involving all the leading artists of Madrid, including Carducho, Velezquez, Zurbaren and Jose Leonardo. The death of Crescenzi in 1635 deprived Pereda of further court commissions and seems to have stopped him painting any further secular works other than still-lifes. Also in 1635 he began a well-documented career as a religious painter, producing large altar paintings and many other medium-sized works, probably for private worship. Outstanding among these is the Immaculate Conception (1637) in the Convento de los Felipenses, Alcale de Henares (Madrid). The important allegorical painting Vanitas   Related Paintings of PEREDA, Antonio de :. | Still Life with Walnuts | Still Life with Frunt | The Immaculate one Concepcion Toward the middle of the 17th century | Allegory of vanity | The Knight's Dream (mk14) |
Related Artists:
Mario Villares Barbosa
painted Nu feminino in 1880 - 1917
Steven van Herwijck
(Utrecht c. 1530-London 1565/67), was a Netherlandish sculptor and gem engraver famous for his portrait medallions and medals. It has recently been suggested that he is the "famous paynter Steven" mentioned in an inventory of 1590, who has traditionally been identified as Steven van der Meulen. Van Herwijck worked in Italy in 1557 and returned to Utrecht in 1558, when he was made a Master of the artists' Guild of St. Luke. His earliest surviving medals, of George van Egmond, Bishop of Utrecht, and Engelken Tols, date from this year. In 1559 he relocated to Antwerp. Nine medals survive of his work there, including a portrait of Jacobus Fabius. Fleeing religious persecution, he went to Poland in 1561 where he made medallions of King Sigismund II and other members of the Polish royal family.
William Hays
May 9, 1819 C February 7, 1875